Catherynne M. Valente’s Fairyland Series

Catherynne M. Valente’s Fairyland Series

I am reading like a maniac, trying to get through as many of my books as possible before I have to leave them all at my mother’s house while I traipse off to Peru for a while. I can’t take them with me, so I’m spending time with them, much as I’m spending time with my dog and my friends. All things I’m having to say goodbye to for a few months or years.

My most recent project is getting through all four of Catherynne M. Valente’s Fairyland books that are out. I don’t know if there will be more. I have not reached the end of the fourth book.

I raved about the first book, once upon a time. You can read about The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making here. It still holds up as one of my favorite books for middle-grade readers. It is a lovely work with so much spunk–a modern fairy tale founded in classic folklore. In this post, I am talking up books 2-4.

Fell_Beneath

Book 2: The Girl Who Fell Beneath Fairyland and Led the Revels There. Am I the only one who loves these excessively long titles? I love it when I recommend these books to people and they always get a bit of a shock at how long the titles are. That’s sort of how these books are from start to finish. The plot of this novel arises from something that happens in the first book. It is a somewhat small event, one that ultimately gets lost among all the adventures September has throughout Circumnavigated. Upon her return to Fairyland in the second book, however, she realizes that what she thought was nothing is actually a very big something.

The characters in this one are a little different from those in the first. September once again meets Saturday and A-through-L, but there’s something different about them…There is also a whole new set of adventures and cast of characters that September meets. Her foe, Halloween the Hollow Queen, leads the shadows of Fairyland-Below. From the sound of it, she is actually a good queen, and her subjects love her very much, but she is causing trouble for Fairyland-Above, and September simply can’t let that happen. September herself is thirteen years old in this book, with a brand new heart that has her feeling all sorts of complicated things she doesn’t understand. It makes for a very confusing adventure for September, but it is one which I’m sure readers will enjoy as much as the first. She handles the transition into the teen years with grace and courage.

Soared_Above

Book 3: The Girl Who Soared Above Fairyland and Cut the Moon In Two takes place entirely on the Moon! It is not the Moon we know, however. It is made of pearl and is home to all sorts of fabulous and diverse sea life. A yeti has the residents of the Moon living in fear, and September must do her best to stop his nefarious plot. On top of the yeti problem, September discovers that A-through-L has a bit of a curse on him, and must find away to save him before he disappears. There is also a beautiful little element of romance in this novel, between now 14-year-old September and one of her Fairyland cohorts. In this book more than any of the others, I think, Valente plays with the concepts of space, distance, and time, and with the way we perceive them. Several characters appear to September and her questing party from various other points in their timeline. It is mind-bending and fun.

Boy_Who_Lost

Book 4: The Boy Who Lost Fairyland. I haven’t finished this one yet, so I can’t tell you a lot about it. I can say that it follows a different character than the previous three (though I believe September will appear eventually)–Hawthorn, a young troll who is swept out of Fairyland and into Chicago as a Changeling by the Red Wind. Once there, settled with a nice, Normal family, he does not remember why he feels so different. And different he is. At six he can write beautiful calligraphy, and knows words quite beyond the vocabulary of a normal six-year-old. He destroys his toys because he feels that they should talk to them, and they do not. He also believes that he is actually a wombat and a warrior. Those of us familiar with folklore know that the lives of Changelings are often unpleasant, and this one seems to continue that theory, though in a much less cruel and miserable way.  Poor Hawthorn is just very confused, and he must learn how to become a Normal human, when in truth he is anything but. From page one the novel displays heart and a robust love of humor, lore, and story. Valente’s characterization is once more picture perfect. I really just love this author. I love that she’s doing something a little different with novel 4, and that she is completely, unabashedly true to her style and her world.

I highly recommend this whole series for readers of all ages. Fans of Lewis Carroll and Lemony Snicket, I think, will enjoy these sometimes-dark and always-whimsical novels.

 

A New Look, And Some News

A New Look, And Some News

buttoncentertext

Hello Bibliography readers! Hopefully, if you’re reading this, you’ve also noticed that Bibliography Blog has gotten a bit of a makeover. If not…go take a look at the header and sidebar! The lovely and talented Tomoko Bason did an incredible job creating a foxy mascot for this page. I could not have asked for more beautiful art! You can check out more of what this awesome human is doing here.

This blog will likely be changing a little, and I hope that helps expand readership. Life for this reader is about to get a lot more interesting. In one month and one day, I will be boarding a plane bound for Arequipa, Peru, where I will be teaching English and studying Spanish for at least six months. I’m hoping to chronicle some of my adventures here, with both words and pictures. Who knows, maybe Bibliography will help me connect with other expats, or inspire someone else to become one!

One of the biggest changes caused by this trans-continental migration is going to be my reading method. I bought a Kobo! After many years of holding out against e-readers, I have been forced to invest in one. Moving books across the world is just one thing I don’t have the money for right now! Hopefully, it will not discourage me from reading, and I will have quite a lot to write about in the near future.

Stay tuned for many exciting things to come. I hope BBlog’s revamp will be enjoyable for you!

A Circus-Themed Post

A Circus-Themed Post

I’ve recently read two novels with circus themes that I think lovers of Erin Morgenstern’s The Night Circus would enjoy.

Gracekeepers

The Gracekeepers by Kirsty Logan was our book club selection this month, and it was incredibly polarizing. On one side, you have those like me, who absolutely loved it, and you have those who really didn’t think much of it at all. I thought it was an incredibly lovely book. The language was lush and poetic, the setting well-structured and highly visible in the reader’s mind’s eye. It is the story of two women in a drowned, post-apocalyptic landscape. One girl travels with a floating circus, her act involving a trained, dancing bear who is also her dearest friend. The other conducts funeral rites on her lonely island wreathed in mist and surrounded by floating bird cages.

There are many story-lines happening in this novel. Perhaps the author was a little over-ambitious in such a short novel, for there are questions that were not answered to their fullest and loose ends that could have used tighter tying. Despite its minor failings, I thought the novel was so enjoyable that I couldn’t put it down. I loved North, the bear girl, especially. She is courageous and strong. Her circus, the ship Excalibur and its flotilla of coracles, sounds like a rough but adventurous life. I found myself drawn to this watery world, where trees are so rare it’s a crime (or even blasphemous) to harm them in any way. It is only vaguely fantastic, so it will appeal to readers who ordinarily stay away from fantasy stories.

BookSpeculation

The Book of Speculation by Erika Swyler was another incredible circus book (how I ended up reading two almost in a row, I don’t know). In this novel, narrator Simon Watson is a librarian who lives by himself in his ancestral home on the harsh coast of the Northeastern United States. The house, due to erosion, is so near the cliff’s edge that it threatens daily to go over, but that is the least of his problems. His parents are dead, and his sister is the fortune-teller in a traveling circus. Simon one day receives a book in the mail from someone he has never met–a book that shows a frightening trend in his family’s women’s tendency to drown on a particular day of the year. The women in his family are side-show “mermaids” who can hold their breath for impossibly long periods of time; Simon and his sister both possess this ability as well. The drownings lead Simon to believe that perhaps there is a curse on his family, and his sister seems to have arrived at home just in time for her own drowning, unless Simon can do something about it.

I apologize if I made this sound like a thriller. It is thrilling, but it is so much more than that. It is, in part, a beautiful homage to the written word. Simon and several other characters adore rare and antiquarian books, and it is a feeling with which many of the novel’s readers will feel kinship. It is also, in part, historical fiction, as the narration flips back and forth between first-person in the present day with Simon, and third-person following a mute circus “Wild Boy”-turned-seer in the late 18th Century. Swyler’s prose is eloquent, and her plot is so exciting that I didn’t want to put this book down. One thing I enjoyed in particular was being witness to the origin story of several of the antique relics that Simon comes across in his search for truth–an old theatrical curtain, mysterious portraits of unknown persons, and a crumbling deck of tarot cards that his sister obsesses over.

Though the supernatural is only hinted at and never quite makes a verifiable appearance, it adds enough of an air of mystery and intrigue to hook its readers. Are Simon and his family descended from an Eastern-European water spirit? Is there truly a curse, or are the family merely victims of truly bad luck? Is it wishful thinking, or does Simon truly hear his mother’s ghost in the water? What’s up with the horseshoe crabs?

These books are must-reads for lovers of somber, beautiful prose; sorrowful, nostalgic stories; ethereal setting; and the draw of a carnival atmosphere providing a light in the darkness.

Middle-Grade New Releases That Rock

Middle-Grade New Releases That Rock

I’ve been on a middle-grade chapter book kick, and I’ve really struck gold with the three that I’ve read so far. It’s a fantastic time to be a kid, or a lover of children’s literature. There are so many good books coming out every day, it’s almost impossible to keep up. I was fortunate enough to read three absolutely wonderful books in a row.

#1: Monstrous by MaryKate Connolly

16181516

This is a novel about Kymera, a little monster girl created in a lab for a very special purpose. She has a stinging tale, patchwork skin, and eyes that can switch back and forth between human and cat (for seeing in the dark). She lives with her father deep in the forests outside of the town of Bryre, and only enters the city at night after everyone is asleep. Though she is not allowed to have any friends, she meets a boy named Ren and is unable to resist his companionship. But both Ren and Kymera have deep secrets, and it tests their friendship and their trust for one another. When the town of Bryre faces danger, it’s up to them to reconcile their mistrust and work together to save their home.

This is an absolutely darling story. It’s fairly dark because it combines taboo science with wicked magic, but ultimately it tells a story about love, acceptance, family, and heroism in unexpected places. I recommend this book highly, as I think it’s a fairly unique story that combines the misunderstood monster of Frankenstein with the magical elements of beloved fairy tales. It’s a page-turner, sure to keep readers young and old engaged.

#2: Julia and the Art of Practical Travel by Lesley M. M. Blume

20971477

Julia barely remembers her mother, who disappeared when Julia was seven years old. Now twelve, she faces a rapidly shifting world, as her grandmother, who is also her guardian, passes away, and her family’s debts are called in. Her aunt sells their ancestral home and most of their possessions, and Julia and her Aunt Constance set off on a road trip across the United States, following the rumors of Julia’s mother. With all of their remaining worldly possessions packed into their car (silver candlesticks, Oriental carpets, and some steamer trunks, to name a few practical travel essentials), they visit Greenwich Village in New York City, consult a voodoo priestess in New Orleans, go hunting in the dusty Texas desert, and continue all the way to California. Julia documents some of her adventures with her Brownie camera, which she carries everywhere.

I can’t stress enough how adorable this story is. Julia faces her changing circumstances with a positive attitude and a sense of adventure that one can’t help but love her for. She drags her camera everywhere and takes pictures of everything she sees (some of which are on display in the chapters of the book!). Most importantly, she learns lessons about finding family wherever she can, and about accepting herself and her slightly quirky personality. This is a truly lovely book that reminds me a bit of Matilda, but with its own sassy personality. Plus it encourages kids to travel, and that is incredibly important.

#3: Nightbird by Alice Hoffman

20971472

I picked up this book on a whim and I am so happy I did. That is sometimes the best way to find a book. As a bookseller, a lot of books get buzz, and I just don’t have time to read all of them. Nightbird is a book that deserves the time. I read it in a matter of hours because I couldn’t put it down.

Twig lives in Sidwell, Massachusetts, which is a town with many secrets. Her mother doesn’t socialize, and though she is the most beautiful woman in town, she is also the saddest. Her mother bakes pies, which draw tourists from miles around, and Twig and her mother live in the orchard from which they harvest the fruit for the pies. Rumors and local legends say that a monster inhabits Sidwell, and Twig knows more about that than she lets on to outsiders. Like Kymera in Monstrous, Twig is not allowed to have friends. Her mother worries that their family secrets will emerge if she does. But when two girls close to her age move into the cottage beside their orchard (a cottage rumored to have once belonged to a witch), Twig is unable to refrain from becoming best friends with the younger sister.

Anything I try to say about this book will likely sound hyperbolic. I really thought that it was delightfully beautiful. It is rich with the joys and the headaches that local traditions and folklore can bring to a small town, and there are elements of hidden magic existing beside the everyday things people see with their eyes. The secrets that come out eventually have the potential to be disastrous, but Twig learns that people can be surprisingly generous, accepting, and loving.

—————————————————————————–

I highly recommend all three of these beautiful novels. These characters are strong and wonderfully themselves, and they make fantastic protagonists and role models for young girls (or boys!). Read these to your children, buy them for your classroom, or read them for yourselves!

The Grapes of Wrath

The Grapes of Wrath

22024055

I expected to hate this book. Of Mice and Men was really overwhelmingly “meh,” and I’ve never had a particular fondness for American literature. So when I cracked the spine on this one and found that I was actually really drawn in by Steinbeck’s prose and the story of the Joads, I was sort of blown away with delight.

First, let me preface this by saying that, as a former literature major, I am the type of person who simply must read the introduction. I can’t skip it. It’s just not possible for me. The fact that this introduction was 46 pages long was really irritating to me, because I was ready to jump straight into the story.  However, if you read this book, I recommend reading whatever introduction might be included, no matter how long. It really helped with the reading of the book to learn so much about how he wrote it. For instance: I learned that Steinbeck spent years researching the book, spending time among migrant workers in run-down camps, learning what it was like to live their lives. He began several projects about the plight of the migrant worker before he finally sat down and wrote The Grapes of Wrath start to finish in a matter of a few short months. The introduction also prepared me for the structure and style that he wrote the novel in, and knowing that gave me a better appreciation for the novel.

Because there are so many things in this novel to potentially talk about, and because this is not a college essay, I will briefly mention some things I loved, and allow you to decide if you feel it is worth reading.

  1. The prose is a work of art. Even the dialogue,written in a very thick country dialect, has, at times, a surprisingly lyrical quality to it:
    1. “She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt or fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build laughter out of inadequate materials….She seemed to know that if she swayed the family shook, and if she ever deeply wavered or despaired the family would fall.” 
    2. “Funny thing how it is. If a man owns a little property, that property is him, it’s part of him, and it’s like him. If he owns property only so he can walk on it and handle it and be sad when it isn’t doing well, and feel fine when the rain falls on it, that property is him, and some way he’s bigger because he owns it. Even if he isn’t successful he’s big with his property. That is so.’
      ‘But let a man get property he doesn’t see, or can’t take time to get his fingers in, or can’t be there to walk on it – why, then the property is the man. He can’t do what he wants, he can’t think what he wants. The property is the man, stronger than he is. And he is small, not big. Only his possessions are big – and he’s the servant of his property. That is so, too.”
    3. “But you can’t start. Only a baby can start. You and me – why, we’re all that’s been. The anger of a moment, the thousand pictures, that’s us. This land, this red land, is us; and the flood years and the dust years and the drought years are us. We can’t start again. The bitterness we sold to the junk man – he got it all right, but we have it still. And when the owner men told us to go, that’s us; and when the tractor hit the house, that’s us until we’re dead. To California or any place – every one a drum major leading a parade of hurts, marching with our bitterness. And some day – the armies of bitterness will all be going the same way. And they’ll all walk together, and there’ll be a dead terror from it.”
  2. The story is important. More important today than it was back then, I would argue. I saw in this novel a primary document that describes the beginning of the decline in quality of our food in this country. When Big Ag began to take over, and the little guy got bulldozed or run off his land. By reading this novel, you are witnessing the course of history changing, ad you can still see its effects today.
  3. The structure of this novel is unique and keeps the story rolling. Each long chapter detailing the story of the Joads is separated by one or two chapters that described the larger situation in some way. These short, descriptive chapters set the scene for the migration from the Dust Bowl to California, or provided details of the squalor of Hoovervilles. They show the similar circumstances which forced families from their homes, or the underhanded dealings of the car salesmen who provided the broken-down trucks which they used to travel west. Steinbeck wrote these chapters in a very fable-like way, often using grand and mythic language to describe something truly awful.

This novel is beautiful. It’s full of sorrow, sacrifice, determination, love, and pride. It is the story of an American family who refuses to break. In some ways, it almost seems a precursor to the dystopian, post-apocalyptic novels that are so popular now. The Joads must face every obstacle with ever-decreasing resources, and dwindling hope. But their story is an inspiring one, sad as it is, and I highly recommend this novel to readers young and old.  

Flowers in the Attic

Flowers in the Attic

891522

While I’d stop short of saying I loved this book, I will say that it did keep me in thrall. I was skeptical about how any author could make the goings-on of one room interesting for 400+ pages, but Andrews accomplished this feat.

In case you’re late to the party, this novel recounts the story of four beautiful children, nicknamed “Dresden dolls” by their neighbors for their porcelain skin and fair features. Theirs is a charmed childhood, and until the events of the novel unfold, the worst thing narrator Cathy can imagine is that her new twin siblings will usurp her place in her parents’ affections. Early in the novel there are allusions to incest, like when one of the suspicious neighbors remarks that the parents look more like brother and sister than husband and wife. After an accident rips away one member of their perfect family, the mother moves her children to her family’s estate in rural Virginia in the middle of the night. There, the children are kept in an upstairs room, where they must stay quiet, tidy, and wary of “impure” thoughts.

The children stay in the attic for years. Years. While their mother cavorts about with her money and her new clothes and her jewels and her suitors, her children moulder in the attic, awaiting the day when dear trusted Momma wins her sick father’s affections, gets written back into his will, and they can live like kings with his money. Little by little, the reader comes to realize, as do the children, that something is rotten in the state of Virginia, and Momma hasn’t been quite honest with them.

Yes, this book has incest in it. Oh dear, just get your freak-out over now. While I’m by no means “into” that sort of thing (yeah, it’s pretty gross), there are worse things in this novel about which you should express your disgust, like religious fanaticism, physical and emotional abuse, and attempted murder.

The writing gets off to a rocky start. The sentences are simple and somewhat dated. Cathy makes exclamations of variations of “great golly lolly!” throughout the book and that gets annoying, but I think the point is to drive home how very naïve and innocent these children are. Their (frankly, psychopathic) grandparents consider them the spawn of the devil and expect them manifest evil from the start, but it’s fairly obvious that the evils that eventually happen do so because they’ve been locked in an attic and told they’re evil. As the novel continues however, and Cathy grows up with her siblings, the writing becomes more introspective and mature, and I think we as readers witness author’s maturation, as well as the characters.

This book is fascinating in the same way train wrecks and car pile-ups are. In true Gothic fashion it is melodramatic and horrifying in an immensely pleasurable way. The wicked kind of pleasure that kids get from pulling the tails of cats and adults get from look at someone’s life and saying, “Thank goodness that’s not me.” I felt guilty for even wanting to read this, but actually I think it’s an important milestone in the YA canon, and so deserves to be read by people who care about literature.

Out of the Easy

Out of the Easy

11178225

I’m struggling with this book, but not for the reasons you might think. I struggle with it because it’s just SO GOOD, and, as a bookseller, I want to recommend the books that are JUST SO GOOD to all the teens that come in and ask me what to read. But this is how I picture this scenario going down:

Overprotective mom/aunt/grandparent: “I’m looking for something for my daughter to read on her vacation this summer. She likes historical books. Can you recommend something for her?”

Me: “SURE! This is a fantastic historical YA novel set in 1950’s New Orleans! I loved it!”

OPM/A/G: “What’s it about?”

Me: “A girl whose mom is a prostitute, whose guardian is a brothel madame, who gets caught up in a bit of trouble when there’s a murder, and oops, then the mob comes after her.”

OPM/A/G: *glares, shoves the books in my direction, and storms off, never to return*

Okay, so maybe that isn’t everyone I meet, but it seems like a lot of the time I’m recommending books to parents instead of kids, and it’s a rare occasion when one says to me, “I don’t care if there’s cursing and sex in it.”

There isn’t cursing and sex in this one. Let me just put that out there. For a novel about hookers and gangsters in one of the most notorious cities in the US, it’s surprisingly clean. This novel has a lot of beautiful things to offer: it portrays deep, abiding friendships; it’s headed by a heroine who wants to better herself for her own sake, and who doesn’t compromise her desires for the sake of romance; it stresses the importance of a college education; and it shows that lies just breed more lies, and if you want to maintain good relationships (not to mention safety and sanity), you should probably tell the truth.

Josie is a girl who basically raised herself. Her mother is a beautiful but vain “woman of the night,” who is in love with exactly the wrong sort of man, and whose dreams are to achieve Hollywood wealth and fame, stay young and beautiful forever, and have every luxury imaginable close at hand. Good role model, right? Josie somehow manages to grow into her exact opposite: she hates attention, she never buys new things, and she dreams of going to college and escaping New Orleans. New Year’s Eve and early 1950 is a turning point for Josie, when she meets two people who become the hinges on which her story swings.

Ruta Sepetys is one of the most underrated authors I’ve ever had the privilege to read. Both of her novels occur in periods and places of history that people often overlook because of other simultaneous events (in Between Shades of Grey, she tells the story of a Lithuanian family displaced from their homes during Stalin’s cruel regime; most people focus on the atrocities of the Nazis during the same period). And her novels are beautifully written, deeply emotional, and very well-peopled. Her characters are easy to get along with. I found myself wishing Josie were a real person, whom I could visit in her bookshop and have tea with around the corner in the French Quarter.

If you like good characters, read this novel. If you like a suspenseful plot, read this novel. If you like stories that make you cry, and then laugh, and then laugh while crying, read this novel. I cannot recommend Ruta Sepetys highly enough. Please do yourself a favor and put this author on your list.