I Am the Messenger

I Am the Messenger

Cover image for I Am the Messenger
Cover image for I Am the Messenger

I put a lot of effort into liking this book. The Book Thief is one of my favorite books, so I fully expected to be blown away by this other novel by the same author.

“Ed Kennedy is an underage cabdriver without much of a future. He’s pathetic at playing cards, hopelessly in love with his best friend, Audrey, and utterly devoted to his coffee-drinking dog, the Doorman. His life is one of peaceful routine and incompetence until he inadvertently stops a bank robbery.
That’s when the first ace arrives in the mail. That’s when Ed becomes the messenger. Chosen to care, he makes his way through town helping and hurting (when necessary) until only one question remains: Who’s behind Ed’s mission?” —Indiebound.org

Have you ever had that reading experience that sort of feels like you’re out of your body? Your eyes are reading the text, and your brain recognizes that you should be connecting to the text and feeling things, but your heart just isn’t there? That’s how this book was for me. I’m not sure if it’s because I had trouble relating to Ed, the deliberate vagueness of the location (which annoyed me to an unreasonable degree), or if the events just weren’t written in a way that gripped me, but I finished this book very reluctantly.

Ed Kennedy is a character that really wishes he were cute and dimensional but is sort of flat and empty. He’s not nearly as amusing as he thinks he is, and even in his moments of introspection, connecting with him is difficult. None of the other characters were really interesting, either. In fact, the only one I felt anything for was a minor character somewhere in the middle who only lasted for a few pages.

The vagueness of the location frustrated me, too. I finally caught on that it was supposed to be Australia, but only because that’s where the author is from. The thing that gave it away was that Christmas happens in the middle of the summer, which was interesting to read about. As for specifics, he just refers to “the city” and “town.” We never get to know anything past that. I do not understand an author’s purpose for doing this, and it irritates me every time I encounter it in a novel. It feels like a glaring omission and makes the text feel dishonest. Is this irrational? Probably. But we can’t help what we like and don’t like.

The plot was odd, too. This go-nowhere kid gets playing cards with missions attached to them. He has to essentially be the guardian angel for the people who are the object of his mission. Sometimes this involves tough love and sometimes it’s an easy fix. What I didn’t understand is why this mysterious person giving him these missions–which are benevolent in nature–would use scare tactics and violence to force Ed to act. It’s incongruous with the nature of the endeavor, and it didn’t give me nearly as much of a warm, fuzzy feeling as if the unseen hand had found less malevolent ways to coerce Ed to do its will. Perhaps Zusak thought the fear and violence would add suspense to the novel, but it didn’t really work for this reader. And the end, though I know it was going for uniqueness and shock value, just felt like a cop-out. I was not impressed.

I know that several people have said they loved this book. I really, really wanted to love it too, but I didn’t. It was painful to read and difficult to finish. I’m going to recommend that, if you’ve never read Zusak, you read The Book Thief (and let it change your life) and just give this one a pass.

Everything, Everything

Everything, Everything

Cover image for Everything, Everything
Cover image for Everything, Everything

With all the buzz surrounding this book, I expected a good novel, but just how good was entirely out of the realm of expectation.

“My disease is as rare as it is famous. Basically, I’m allergic to the world. I don’t leave my house, have not left my house in seventeen years. The only people I ever see are my mom and my nurse, Carla.
But then one day, a moving truck arrives next door. I look out my window, and I see him. He’s tall, lean and wearing all black–black T-shirt, black jeans, black sneakers, and a black knit cap that covers his hair completely. He catches me looking and stares at me. I stare right back. His name is Olly.
Maybe we can’t predict the future, but we can predict some things. For example, I am certainly going to fall in love with Olly. It’s almost certainly going to be a disaster.” —Indiebound.org

First of all, I love Madeline. She is an incredible protagonist. She’s a positive and vibrant kid, despite all the adversity that she’s faced, and she makes a little joy go a long way. So when the pretty teenager next door moves in, this reader, at least, had a lot of feelings. Excitement, because yay, maybe she’ll finally have a little extra dash of joy in her life. And apprehension, because knowing how sick she is, and knowing how difficult love is and how difficult it is to be a teenager, it’s hard not to be pessimistic about the whole thing.

Olly is a wonderful character, too. Both of these kids have their share of heavy burdens that seem too difficult for kids to bear. Unfortunately, sick and abused kids are all too common in our messed up world. It’s no wonder that they are drawn to, love, and support each other. I thought, perhaps, that I could predict exactly where this love story was going, but I was wrong.

Perhaps that’s what I loved most about it. It seems as if it’s going to go in one direction, but despite Madeline being trapped in her own house for literally her whole life, this novel still manages to be full of adventure, suspense, and excitement. I would argue that there is a villain, and that villain is found in the most unexpected place.

The relationships between characters are perhaps the most moving part of the novel. Obviously, the reader is simply smitten with Olly and Madeline, but the relationship between Madeline and her mother, or Madeline and her nurse are equally, if not more, moving than Madeline’s romance with the boy next door. I found myself really wanting to play Phonetik Scrabble because it sounds like a lot more fun than regular Scrabble.

This has to be one of the best YA books I’ve read in a really long time. It’s full of heart, full of adventure, lots of soaring highs and devastating lows. There’s probably more emotion packed into these 300 pages than many entire series have in them. I highly recommend it, for those few people who haven’t read it yet!

Shadow Run

Shadow Run

Cover image for Shadow Run
Cover image for Shadow Run

Please excuse me if this blog post is formatted strangely. I’m writing it on my phone because the wifi at my house isn’t working and the landlady hasn’t gotten around to fixing it yet, so no computer for me.

I finished Shadow Run last night and was reasonably impressed. Typically, when it comes to books I’ve never heard of, I’m a little skeptical (I know, I know, but so much of YA is hit or miss). I got this one in LitJoyCrate, and sadly, the last book I read from a LJC was a dreadful disappointment (The Edge of Everything–just no).

Shadow Run is seemingly set, to quote a really obscure film that I’m sure no one has ever heard of, “in a galaxy far, far away.”  The names of planets do not resemble those found in our galaxy, but it could be that it’s set so far in the future that it IS our galaxy, but our arcane names for things have been long forgotten. In any case, I always assumed that would be the most fun part of being a sci-fi/fantasy writer–to imagine a universe where physics work the same way but everything else is different. Perhaps it IS a different universe and a different galaxy because what the heck is Shadow?? Besides beautiful and dangerous, that is.

“Nev has just joined the crew of the starship Kaitan Heritage as the cargo loader. His captain, Qole, is the youngest-ever person to command her own ship, but she brooks no argument from her crew of orphans, fugitives, and con men. Nev can’t resist her, even if her ship is an antique.
As for Nev, he’s a prince, in hiding on the ship. He believes Qole holds the key to changing galactic civilization, and when her cooperation proves difficult to obtain, Nev resolves to get her to his home planet by any means necessary.
But before they know it, a rival royal family is after Qole too, and they’re more interested in stealing her abilities than in keeping her alive.
Nev’s mission to manipulate Qole becomes one to save her, and to survive, she’ll have to trust her would-be kidnapper. He may be royalty, but Qole is discovering a deep reservoir of power–and stars have mercy on whoever tries to hurt her ship or her crew.” —Indiebound.org

Despite being in a rather gloomy mood lately and not feeling like reading much at all, this novel held my interest well. The characters were enjoyable, though I thought the crew members could have been a little more in-depth. It was going for that feeling you get from gangs like The Dregs or Manon Blackbeak’s Thirteen, but it fell a little short of the mark. Nev and Qole were excellent protagonists, though I hate that it seems like female characters have to be temperamental to be strong in a lot of books, including this one. I enjoyed that it didn’t feel like either one was more important than the other. They were equals, and they saved each other (thank you for not making Qole a damsel in distress despite her Captain’s status!).

Plot felt a little ponderous at first, though it quickly picked up. By the end it was one of those you can’t put down so you can sleep. It is definitely a stay-up-late-and-finish book. I thought the denouement was great, even if I did sort of predict how the crew would solve its main problem at the end.

I was also really impressed with how casually inclusive this novel is in regards to race and also gender.  One of the characters in Qole’s crew is gender fluid (though identifies for much of this novel as male), and each of his crew members accepts how he chooses to identify at any given time and change their use of pronouns accordingly. They also accept and nurture his burgeoning relationship with another male member of the crew. It’s not a major plot point–it’s just the way that character is written. It’s nice to see themes of acceptance in a book for kids.

Of course, at its ending, it is obvious that the immediate problem of the novel is solved, but the galaxy is still massively messed up, thereby leaving room for a second novel, at least. Thankfully, there’s no love triangle–a trend it seems that smart YA authors are trying to phase out.

This is a great space sci-fi for readers of this genre. Lots of action and adventure, and they don’t shy away from the violence necessary to a war in space. Characters are likable and some are complex, making them sympathetic and readable. I’d definitely read a follow up, if one came out.

12.3–Fly By Night

12.3–Fly By Night

Here’s another young adult novel for you, folks, although I wouldn’t recommend this one very highly. It has its shining moments, and there were definitely things I enjoyed about it, but it’s not something I’m demanding everyone put on their reading lists.

Fly By Night by Frances Hardinge tells the story of young Mosca Mye, a twelve year old orphan who runs away from her abusive uncle, but not before she burns his mill to the ground.  She throws in her lot with a man named Eponymous Clent, a wordsmith and spy.  Her goose Seneca also tags along for the ride. All books in this fictional kingdom that do not have the stamp of approval from a guild known as the Stationers is banned.  In the capital city, Mosca and Clent are caught up in a war between the Stationers and another guild known as the Locksmiths.  They are the two most powerful guilds in the kingdom, and Mosca must work hard to uncover the truth about the plot to control the ruling figure.  It is a world in which no one can be trusted, for everyone is either a spy or has his own hidden agenda.

The novel is supposedly loosely based on 17th Century England, though there are no references to anything resembling true historical names or places.  The whole novel is a little bit whimsical, and if my description of the plot seems a little confusing and difficult to follow, that’s because the plot itself is confusing and difficult to follow at times. Everything is a little disjointed, and my mind struggled to comprehend all that was happening. The names, as well, are baffling and difficult to keep sorted.  Altogether I felt that the novel was a disorganized mess.

That said, I will assert that it was creative.  My favorite thing about the novel is its floating coffee shops. On the River Slye, which I presume represents the Thames, there are coffee houses which dock along the bank, cutting loose and sailing up and down river when necessary.  Because they technically exist outside of the bounds of the city, they are controlled by neither the Stationers nor the Locksmiths, and are therefore the origin for any rebellion that may be in the works.  Most of the best scenes in the novel take place in these coffee shops, and they are what redeemed the novel for me a bit.

I had trouble deciding whether Mosca was an agreeable character or not.  She is fractious, stubborn, willful, and crude, but is also motivated and guided by a higher morality than many of her fellow characters.  She is nowhere near a dainty lady, though she idolizes one, and though this is rather charming in itself, it does seem to be the pattern for a large group of young adult novels these days. The tom-boyish runaway girl is no longer a unique concept, and Mosca joins an ever-growing parade of the same cookie-cutter character.  I wish that this author, or any author, would do something a little unique with their female heroines for once.

As I said, I don’t recommend this very highly. For those actively seeking something to read, feel free to pick it up. For those whose reading lists are as long as mine, you aren’t missing much by passing on it.