Hello! All two of my readers. Hi! How are you? I have exciting news. Are you ready? Good.
I was wrong.
Yes, you read that right. I was wrong. I was mistaken about this novel. I said, prematurely, that I didn’t like it. But I did like it, in the end. I liked it a lot.
“Oct. 11th, 1943-A British spy plane crashes in Nazi-occupied France. Its pilot and passenger are best friends. One of the girls has a chance at survival. The other has lost the game before it’s barely begun.
When ‘Verity’ is arrested by the Gestapo, she’s sure she doesn’t stand a chance. As a secret agent captured in enemy territory, she’s living a spy’s worst nightmare. Her Nazi interrogators give her a simple choice: reveal her mission or face a grisly execution.
As she intricately weaves her confession, Verity uncovers her past, how she became friends with the pilot Maddie, and why she left Maddie in the wrecked fuselage of their plane. On each new scrap of paper, Verity battles for her life, confronting her views on courage, failure, and her desperate hope to make it home. But will trading her secrets be enough to save her from the enemy?” —Indieboung.org
I’m not sure if anyone here has read enough of my blog posts to notice, but I am a sucker for a World War II story. It honestly doesn’t even have to be a novel. I was raised by a history buff, and his favorite time period was also WWII. I remember seeing bunkers and bomb shelters when we visited London when I was 10. I enjoy hearing first-hand accounts from folks who lived through the war (though those voices are slowly being lost to us as the years pass). I enjoy movies set in the time period, even though my heart is inevitably in my throat for nearly the entire thing. So when I started this novel and I had a difficult time getting into it, I was doubly disappointed. I thought that you had to be a really big goof to ruin a story about WWII.
This novel is by no means my favorite book about this time period. It is deeply flawed. There is a lot of technical language, and I feel that, because she is a pilot herself, the author gets bogged down in the details that the rest of us do not understand. The voice of the narrator is jarring for a good bit at the beginning–full of British-isms and bravado that honestly got on my nerves a bit.
But, disheartened reader, please look past these flaws and read to the end. I cannot give you details. I cannot tell you why. I just must encourage you to please continue past your frustration and read to the end. It took me three tries to read this book, and feedback on Instagram shows that many commenters also had similar trouble finishing. But there are very few books with such a drastic turn-around. By the end, I couldn’t put this book down and had to finish it right then and there.
The characters are great. I am reluctant to give too many details, for fear of ruining the book for people, but Maddie and Queenie are both incredible and daring women for various reasons. Especially for such young women, their courage is of a sort that few who have never been to war likely ever personally witness. Even the villains, despite being despicable, are also sympathetic to a certain degree. The best characters are those that reflect the reality of humanity–namely that good and evil are rarely black and white. Wein achieves this in her characters.
This is a beautiful novel. I could live without some of the details about planes and airfields, but even the purpose of most of that is revealed by the end. The friendship between the narrator and Maddie doesn’t seem like much in the beginning, but by the end, you realize just how deep it runs, and it sort of blows you away. I won’t say I cried like a baby (like I did at the end of The Book Thief), but boy I got close. I highly recommend sticking with this one to the end. You won’t soon forget it.