Sarah J. Maas’s A Court of Thorns and Roses is a pleasantly steamy novel loosely based on the Beauty & the Beast fairy tale we all known and love. I picked up this book without even reading the synopsis in the jacket because I love other books by this author so much I will read anything by her, sight unseen. What I love about Sarah J. is that her books are so reliable. Reliably difficult-to-put-down page-turners. I happened to have just started this book on a sick day, and, accompanied by tea and blankets, I read it for most of the day.
“When nineteen-year-old huntress Feyre kills a wolf in the woods, a beast-like creature arrives to demand retribution for it. Dragged to a treacherous magical land she only knows about from legends, Feyre discovers that her captor is not an animal, but Tamlin–one of the lethal, immortal faeries who once ruled their world.
As she dwells on his estate, her feelings for Tamlin transform from icy hostility into a fiery passion that burns through every lie and warning she’s been told about the beautiful, dangerous world of the Fae. But an ancient, wicked shadow over the faerie lands is growing, and Feyre must find a way to stop it . . . or doom Tamlin–and his world–forever.” –via Indiebound
Feyre and Tamlin are…fun. Let’s just get it out there right now: there is sex in this book. Not tweenie scenes with mostly implied contact followed by a nice change of subject. It’s detailed, leave-nothing-to-the-imagination, sexy sex. I enjoyed this. Most authors who write for teens know two things by now: teenagers have sex, and adults (who also have sex) read YA. This book was perfect for women (and men!) who don’t shy away from their enjoyment of sexuality in whatever way and however often they wish. If you are someone who prefers a somewhat tamer, less sexual way of life/library, I’d avoid this book. Or maybe try it, and see if it can change your mind! It’s up to you.
However, I’ve read some reviews that say this is little more than erotica. They are wrong. This is a novel with Story. Engaging, terrifying Story. It has some truly grotesque villains, and many moments that drive the reader to the edge of their seat. The reason the reader cares so much about the story has something to do with the heroine. Feyre is a girl the reader likes. Feyre is a girl who is relatable. I’m sure there is something of the reader’s self to find in her. Perhaps it’s her fierce dedication to her family. Perhaps it’s her feelings of isolation and of being taken for granted. Perhaps it’s her hopeless attraction to a faerie being that oozes sensuality. Whatever it is, there’s a little something of you, me, and everyone else in Feyre. Once her story really picks up and gets going (which is almost immediately; my girl Sarah J. doesn’t make you wait), the reader cares because, in some capacity, she is the reader.
The men in this book. THE MEN. The faerie men. The sleek, smooth-as-butter, perfect-features, fantasy men of this woman’s heretofore unknown fantasies. I loved them. It’s a buffet of supernatural men. I couldn’t decide if I liked Tamlin (the broody love-interest), Lucien (the comic yet tragic sidekick), or Rhysand (the absolutely delicious baddie) most. The best part is that you don’t have to, because each of them gets plenty of attention within the pages of the novel.
Perhaps the only thing that gave me pause is that there is a certain plot device that is just a little too specific, and therefore, a little too convenient to truly allow this reader to suspend her disbelief. It jolted me out of the world of this-is-actually-happening, and into the world of this-is-a-novel-with-an-author. It only lasts for a moment, and then the story re-engages, but for that moment it was a little sad.
Finally, Sarah J. builds a faerie world that at once respects folklore and gives it a new spin. There are few authors who successfully pull this off, and it makes me like and respect this author more for doing it. She includes lesser-known fae species. She includes an under-the-hill part of the faerie realm (very important!). She includes a vast variety of temperaments and personalities, from forces of good and compassion, to annoying and mischievous, to straight-up lethal and terrifying. Most importantly, she does it while remaining true to her own voice as an author, and without sounding or feeling contrived.
This is a very strong start to a new series, and a bit of a genre-bender. I think it’s safe to say that fans of her other novels will enjoy this one. For those who love fantasy, romance, or YA, this is a great pick for you, too!